Nancy Adajania

Curator, critic and film-maker, Bombay

Else-who and Else-where: Moments of Agency in India’s New Mediatic Reality

The paper will articulate the need to recognise what Nancy Adajania calls „mediatic realism“ as an emerging umbrella aesthetic in India, which crosses the institutional lines of formal/informal, high art/popular art, and indeed designated art practice/lifeworld expression.