Giving Form to the Impatience of Liberty
CONFERENCE
October 5 + 6, 2013
With: Banu Cennetoglu / Yasemin Özcan, Hans D. Christ / Iris Dressler, Alice Creischer / Andreas Siekmann, Kiri Dalena, Ekaterina Degot / David Riff, Barbara Ehnes, Pil and Galia Kollectiv, Boris Ondreicka, Pedro G. Romero, Hedwig Saxenhuber / Georg Schöllhammer, János Sugár, Pelin Tan and others
An event in the context of Politics of Form
Special funding: Innovationspreis Baden-Württemberg
PROGRAM
Saturday, October 5, 2013, 1–9 p.m.
RELEKTÜRE / DÉTOURNEMET / REENACTMENT
1:00 p.m.
Welcome + introduction
Iris Dressler, Hans D. Christ
1:15 p.m.
Iris Dressler, Hans D. Christ (Stuttgart)
On Tensions, Blurs, and Conflicts Between the Freedom of Art and Its Political Implications
2:00 p.m.
Georg Schöllhammer, Hedwig Saxenhuber (Vienna)
Unrest of form. Imagining the Political Subject
3:00 p.m.
Pil and Galia Kollectiv (London)
Art in the Age of its Dissolution
About artistic critique and the encroachment of neo-liberal management into the production of subjectivity
3:45 p.m.
Ekaterian Degot, David Riff (Moscow)
Monday Begins with Saturday
Fiction and reenactment as curatorial methodologies
4:45 p.m.
Pedro G. Romero (Seville)
About an artistic reconsideration of Spanish torture chambers and their references to modern avant-gardes
6:00 p.m.
Panel: Reenactments
Artistic forms of re(counter)petition, reallocation and détournement
Alice Creischer, Andreas Siekmann, Barbara Ehnes, Kiri Dalena
7:30 p.m.
Lecture Performance
Boris Ondreicka (Bratsilava)
ENTOPTIC & TACIT
Sunday, October 6, 2013, 12–3 p.m.
ÜBER DIE NEUVERTEILUNG DES RAUM / / KUNST + WIDERSTAND
12:00 p.m.
Banu Cennetoglu / Yasemin Özcan (Istanbul)
About their project What Is It That You Are Worried About? and questions concerning the treatment of historically problematic connoted sites.
12:45 p.m.
Janos Sugar (Budapest)
Coup d’Etat in Slow Motion
(in a global and local sense with actual Hungarian examples)
1:30 p.m.
Pelin Tan (Istanbul)
Who is the Enemy?: Art in the age of Uprisings
About resistive appropriations of public spaces in Athens, Istanbul, and various Asian cities