Actually, the Dead Are Not Dead: Una forma de ser

WORKS IN THE EXHIBITION
Selection

: Flo6X8, "Voz flamenca en el parlamento (Flamenco Voice in Parliament), 2014, video documentation of an intervention at Andalusian Parliament, colour, sound, 3’10”

: Francisco de Goya, "Los Proverbios" (The Proverbs), also known as "Los Disparates" (The Follies), 1815-23, 18 etchings, each 30 x 43 cm, 3rd edition, 1903, Courtesy: Private collection, Berlin

: Hiwa K, "Moon Calendar", 2007, video, color, sound, 12'1'', Courtesy: the artist, Prometeo Gallery di Ida Pisani, Milan, Lucca; KOW, Berlin, Madrid

: Francisco Lameyer, "Asamblea general" (General Assembly), 1883-1847, published in Serafín Estébanez Calderón, "Escenas andaluzas", Don Baltasar González Presse, Madrid, 1847, 1st edition, Courtesy: Pedro González Romero

: Darcy Lange and Maria Snijders, "Aire del Mar", 1988-94/2019, multimedia performance, reconstruction, Courtesy: Darcy Lange Estate and Maria Snijders. Production: Tabakalera, San Sebastian in cooperation with Govett Brewster Art Gallery, New Zealand, Darcy Lange Estate, New Zealand; Technical support: Tractora Koop. E; Digitazation by Dias and image editing: Clara Sánchez-Dehesa, Jabi Soto; Digitization of videos: Nga Taonga Sound and Vision, Wellington, New Zealand; artistic direction: Pedro G. Romero, Mercedes Vicente, presentation Bergen Assembly 2019, Photo: Thor Brødreskift

: Teatro Gitano Andaluz de Mario Maya, "Camelamos Naquerar" (We Want To Speak), 1976, TV-records (RAI) of the homonymous performance, colour, sound, 17'

: Otto Pankok, "Gaisa von Auschwitz zurück" (Gaisa back from Ausschwitz), 1948, charcoal drawing, 100 x 120 cm, Courtesy: Pankok Museum Haus Esselt, Hünxe

: Otto Pankok, "Raklo liest, 1933" (Raklo liest, 1933), charcoal drawing, 100 x 120 cm, 1948, Courtesy: Pankok Museum Haus Esselt, Hünxe

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: Carlos González Ragel (Rajel), "Esqueletomaquias", ca. 1937–42, 33 drawings, 4 collages, 5 albums, facsimiles

: August Sander, "Köln wie es war" (Cologne As It Was), 1929-31, Lumpenball series, selection of ten, facsimile reproductions, Courtesy: Kölnisches Stadtmuseum, Cologne

: Ceija Stojka, "Die Gejagten. Die Ankunft war so …" (The Hunted. The Arrival was so ..." not dated, ink on cardboard, 29,5 x 41,8 cm

: Ceija Stojka, "Blutverschmiert, so verließen ich und Mama Bergen-Belsen" (Covered in blood, that's how I and Mama Left Bergen-Belsen), not dated, acryl on cardboard, 33 x 34 cm